"With his flexible tenor and athletic posture, Samuel Boden proved a perfect fit for the role of Orfeo, offering unfailingly stylish singing in the midst of the demanding choreographed moves. His honeyed timbre and the way he audibly relished the text made the plaintive lyricism of the role most moving."Bachtrack, 12 February 2020"…radiant height, dynamics and differentiating design – characteristics that also come to light in the performance of the tenors Samuel Boden and Guy Cutting."Online Merker, 15 April 2022"… Samuel Boden in particular as the Idomenee son Idamante, [is] characterized by a wonderfully supple, bright tonal range."Gf-kuehn.de, 5 November 2021"… Samuel Boden’s Idamante, whose clear voice is that of the French haute-contres and whose articulation is irreproachable"Concert Classic, 24 September 2021"… Samuel Boden’s Idamante, with its tenoral restraint, is a prime example of the male tenderness that was so common in the Baroque era."Berliner Zeitung, 8 November 2021
"With his flexible tenor and athletic posture, Samuel Boden proved a perfect fit for the role of Orfeo, offering unfailingly stylish singing in the midst of the demanding choreographed moves. His honeyed timbre and the way he audibly relished the text made the plaintive lyricism of the role most moving."Bachtrack, 12 February 2020
"…radiant height, dynamics and differentiating design – characteristics that also come to light in the performance of the tenors Samuel Boden and Guy Cutting."Online Merker, 15 April 2022
"… Samuel Boden in particular as the Idomenee son Idamante, [is] characterized by a wonderfully supple, bright tonal range."Gf-kuehn.de, 5 November 2021
"… Samuel Boden’s Idamante, whose clear voice is that of the French haute-contres and whose articulation is irreproachable"Concert Classic, 24 September 2021
"… Samuel Boden’s Idamante, with its tenoral restraint, is a prime example of the male tenderness that was so common in the Baroque era."Berliner Zeitung, 8 November 2021