“The story of Orpheus in the underworld is about us all. We all have something of Orpheus in us. Who would not want to turn back the clock every now and then and stick to the happiness of the past? That is why the Orpheus story has always inspired artists of all times.
For this staging, director Monique Wagemakers, choreographer Nanine Linning, designer Lonneke Gordijn from Studio Drift and fashion designer Marlou Breuls created L’ORFEO for the Nederlandse Reisopera. Their vision is that of a Gesamtkunstwerk; stage direction, choreography, sculpture, costume and music are completely merged together.
Nanine Linning and Monique Wagemakers forged the ten singers and ten dancers into one homogeneous group that is permanently on stage. Together with the moving installation “Ego” by artist Lonneke Gordijn (Studio DRIFT) they form a living organism and ever-changing stage image in dialogue with the fantastic music of Claudio Monteverdi.
The tight-fitting mesh costumes by designer Marlou Breuls form a line play with the projections and with the light design by Thomas Hase. The musical direction is in the hands of conductor Hernán Schvartzman (OPERA2DAY) and the opera is accompanied by baroque ensemble La Sfera Armoniosa.”
“Tenor Boden vigorously expresses his human recklessness.”
Theaterkrant, 26th January 2020
“The demanding title role was excellently played by tenor Samuel Boden. Assisted by Ego, he managed to put his changing moods in the spotlight. Beautifully sung, well acted.” Place de l’Opera, 27th January 2020
“The tenor Samuel Boden has a well-kept dictation and effortlessly sings the sometimes difficult twists that Monteverdi puts into his mouth. – Even when the choir lifts [him] up and carries [him] across the stage.”
Cultureelpers Bureau, 27th January 2020
“Samuel Boden (Orfeo) makes a big impression”
Trouw, 27th January 2020
“With his flexible tenor and athletic posture, Samuel Boden proved a perfect fit for the role of Orfeo, offering unfailingly stylish singing in the midst of the demanding choreographed moves. His honeyed timbre and the way he audibly relished the text made the plaintive lyricism of the role most moving…★★★★★”
Bachtrack, 11th February 2020
“As the Poet, Samuel Boden channels the quartet’s agonies while standing apart from the action, and his tenor is heard at its most eloquent.”
ClassicalSource.com, 7th June 2019
“The opera was extremely well cast and acted in a slow and minimalist sort of way. Samuel Boden (Poet) looked the part from head to toe not only by his style and dress but also by his actions.”
Planet Hugill, 13th June 2019
The lesser-performed and more doleful first part “The Ways of Zion do Mourn” will be performed as well as the more dramatic and descriptive 2nd and 3rd parts.
This is the last of three performances of the work here in France, with “Les Cris de Paris”, directed by Geoffrey Jourdain.