“The story of Orpheus in the underworld is about us all. We all have something of Orpheus in us. Who would not want to turn back the clock every now and then and stick to the happiness of the past? That is why the Orpheus story has always inspired artists of all times.
For this staging, director Monique Wagemakers, choreographer Nanine Linning, designer Lonneke Gordijn from Studio Drift and fashion designer Marlou Breuls created L’ORFEO for the Nederlandse Reisopera. Their vision is that of a Gesamtkunstwerk; stage direction, choreography, sculpture, costume and music are completely merged together.
Nanine Linning and Monique Wagemakers forged the ten singers and ten dancers into one homogeneous group that is permanently on stage. Together with the moving installation “Ego” by artist Lonneke Gordijn (Studio DRIFT) they form a living organism and ever-changing stage image in dialogue with the fantastic music of Claudio Monteverdi.
The tight-fitting mesh costumes by designer Marlou Breuls form a line play with the projections and with the light design by Thomas Hase. The musical direction is in the hands of conductor Hernán Schvartzman (OPERA2DAY) and the opera is accompanied by baroque ensemble La Sfera Armoniosa.”
“Tenor Boden vigorously expresses his human recklessness.” Theaterkrant, 26th January 2020
“Tenor Samuel Boden is an intimate, convincing Orfeo…★★★★” NRC.nl, 26th January 2020
“The demanding title role was excellently played by tenor Samuel Boden. Assisted by Ego, he managed to put his changing moods in the spotlight. Beautifully sung, well acted.” Place de l’Opera, 27th January 2020
“The tenor Samuel Boden has a well-kept dictation and effortlessly sings the sometimes difficult twists that Monteverdi puts into his mouth. – Even when the choir lifts [him] up and carries [him] across the stage.” Cultureelpers Bureau, 27th January 2020
“Samuel Boden (Orfeo) makes a big impression” Trouw, 27th January 2020
“With his flexible tenor and athletic posture, Samuel Boden proved a perfect fit for the role of Orfeo, offering unfailingly stylish singing in the midst of the demanding choreographed moves. His honeyed timbre and the way he audibly relished the text made the plaintive lyricism of the role most moving…★★★★★” Bachtrack, 11th February 2020
“Tenor Samuel Boden sang as sweetly as the birds admired by his romantic interest Johanna” Opera Now, January 2020
“As an opera critic with a certain orientation towards pre-modern times, I was excited to hear the young British tenor Samuel Boden in the role of the young and charming sailor Anthony Hope. Boden is one of today’s finest exponents of the wonderfully peculiar voice type, haute contre , a very bright tenor voice found mostly within French 18th-century opera. It was fun then to hear Boden sing in a 1979 musical with the greatest of course.” NRK, 7 November 2019
“Samuel Boden offers us a Jonathan, generous, loving. … The voice is agile, flexible and gives its full measure in the recitatives as in the following arias, “Sin not, O King” with the two bassoons, in particular.” ForumOpera, 6 July 2019
“Samuel Boden gives Jonathan, the unhappy hero caught between his duty and his feelings, the appropriate disturbed delicacy, supported by his elegiac tenor voice.” ConcertClassic.Com, 6 July 2019